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	<title>Alfred the Great Society &#187; Film Reviews</title>
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		<title>Review of Robin Hood Movie</title>
		<link>http://atgsociety.com/2010/06/review-of-robin-hood/</link>
		<comments>http://atgsociety.com/2010/06/review-of-robin-hood/#comments</comments>
		<pubDate>Wed, 02 Jun 2010 15:32:56 +0000</pubDate>
		<dc:creator>Robin Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Book & Film Reviews]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[King John]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[Robin Hood]]></category>
		<category><![CDATA[Russell Crowel]]></category>

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		<description><![CDATA[For all it's aesthetic problems, Ridley Scott’s recent movie get's one thing right: Robin Hood was no socialist. Click here to read what "Robin Hood Economics" is really all about.
]]></description>
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		<title>Miracle on 34th Street and the Problem of Postmodern Epistemology</title>
		<link>http://atgsociety.com/2009/07/featured-post-3/</link>
		<comments>http://atgsociety.com/2009/07/featured-post-3/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 00:31:34 +0000</pubDate>
		<dc:creator>Robin Phillips</dc:creator>
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		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Postmodernism]]></category>
		<category><![CDATA[C.S. Lewis]]></category>
		<category><![CDATA[Imagination]]></category>
		<category><![CDATA[Jack and the Beanstalk]]></category>
		<category><![CDATA[Lessing]]></category>
		<category><![CDATA[Miracle on 34th Street]]></category>
		<category><![CDATA[Nathan the Wise]]></category>
		<category><![CDATA[Postmodern]]></category>
		<category><![CDATA[Postmodernism in Miracle on 34th Street]]></category>
		<category><![CDATA[Santa]]></category>
		<category><![CDATA[Soren Kirkegaard]]></category>
		<category><![CDATA[The Enlightenment]]></category>
		<category><![CDATA[Tolkien]]></category>

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		<description><![CDATA[This article looks at Santa Clause as an icon of Post Modern Epistemology, as epitomized in the popular movie Miracle on 34th Street. This article traces dualisms that go back to the time of the Enlightenment and have reached fruition in the divided epistemology so clearly spelled out in this movie. The author explores the nature of faith, imagination and fantasy from a Biblical worldview, contrasting that with the Santa Clause world offered by Postmodernism and Miracle on 34th Street.]]></description>
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