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	<title>Alfred the Great Society &#187; Postmodernism</title>
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	<link>http://atgsociety.com</link>
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		<title>The Bacchae</title>
		<link>http://atgsociety.com/2010/11/the-bacchae/</link>
		<comments>http://atgsociety.com/2010/11/the-bacchae/#comments</comments>
		<pubDate>Fri, 12 Nov 2010 22:53:38 +0000</pubDate>
		<dc:creator>Robin Phillips</dc:creator>
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		<category><![CDATA[Book & Film Reviews]]></category>
		<category><![CDATA[Postmodernism]]></category>
		<category><![CDATA[Bacchae]]></category>
		<category><![CDATA[Dionysius]]></category>
		<category><![CDATA[Euripides]]></category>
		<category><![CDATA[Omnibus]]></category>

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		<description><![CDATA[Dionysus has haunted the landscape of the Western World since the French Revolution like an invisible sceptre, blurring antitheses and fusing opposites together. In Euripides’ tragedy The Bacchae, he comes to us in his most potent and destructive form.]]></description>
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		<title>The Objectivity of Beauty</title>
		<link>http://atgsociety.com/2010/03/the-objectivity-of-beauty/</link>
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		<pubDate>Mon, 08 Mar 2010 06:13:37 +0000</pubDate>
		<dc:creator>Robin Phillips</dc:creator>
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		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Postmodernism]]></category>
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		<category><![CDATA[Aesthetics]]></category>
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		<category><![CDATA[Beauty]]></category>
		<category><![CDATA[Objectivity of Beauty]]></category>

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		<description><![CDATA[Many Christians today have been influenced by the pagan notion that aesthetic categories are subjective. Hence, a generation of young people are growing up who are unequipped to defend the great works of Western art as having any objective primacy over and against the ugliness of contemporary paganism. These resources aim to reverse this trend by establishing that beauty is an objective quality and that the collective worldview of a culture has a direct bearing on our artistic productions and understanding of beauty.]]></description>
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		<title>Miracle on 34th Street and the Problem of Postmodern Epistemology</title>
		<link>http://atgsociety.com/2009/07/featured-post-3/</link>
		<comments>http://atgsociety.com/2009/07/featured-post-3/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 00:31:34 +0000</pubDate>
		<dc:creator>Robin Phillips</dc:creator>
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		<category><![CDATA[Postmodernism]]></category>
		<category><![CDATA[C.S. Lewis]]></category>
		<category><![CDATA[Imagination]]></category>
		<category><![CDATA[Jack and the Beanstalk]]></category>
		<category><![CDATA[Lessing]]></category>
		<category><![CDATA[Miracle on 34th Street]]></category>
		<category><![CDATA[Nathan the Wise]]></category>
		<category><![CDATA[Postmodern]]></category>
		<category><![CDATA[Postmodernism in Miracle on 34th Street]]></category>
		<category><![CDATA[Santa]]></category>
		<category><![CDATA[Soren Kirkegaard]]></category>
		<category><![CDATA[The Enlightenment]]></category>
		<category><![CDATA[Tolkien]]></category>

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		<description><![CDATA[This article looks at Santa Clause as an icon of Post Modern Epistemology, as epitomized in the popular movie Miracle on 34th Street. This article traces dualisms that go back to the time of the Enlightenment and have reached fruition in the divided epistemology so clearly spelled out in this movie. The author explores the nature of faith, imagination and fantasy from a Biblical worldview, contrasting that with the Santa Clause world offered by Postmodernism and Miracle on 34th Street.]]></description>
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